Parang, a vibrant musical genre deeply rooted in Trinidadian culture, is intricately tied to the festive spirit of Christmas. Originating from the Spanish word “parranda,” meaning ‘fete’ or ‘spree,’ Parang harks back to a time when merry troupes would serenade gatherings for christenings and birthdays, spreading joy with their lively performances.
Traditionally, Parang ensembles comprised four or more men, armed with an assortment of musical instruments that formed the backbone of their spirited melodies. From the rhythmic strumming of guitars to the melodious tones of the cuatro and the pulsating beats of the mandolin and maracas, each instrument played a vital role in creating the infectious energy that defines Parang music.
One luminary who left an indelible mark on the Parang scene was Daisy Voisin (1924-1991), affectionately known as the “Queen of Parang.” Hailing from the picturesque town of Erin in southern Trinidad, Daisy’s musical journey was deeply intertwined with her multicultural heritage. Born into a family of six girls, Daisy’s lineage traced back to diverse roots—her father, Matthias, boasted French ancestry from the northern town of Arima, while her mother, Juliana, hailed from Venezuela.
Despite her humble beginnings, Daisy’s extraordinary talent and soulful voice propelled her to the forefront of the Parang movement, earning her widespread acclaim and admiration. With her captivating performances and enchanting melodies, she became a beloved figure in Trinidadian music, leaving an enduring legacy that continues to inspire generations of Parang enthusiasts.
As we immerse ourselves in the festive sounds of Parang and celebrate its rich heritage, let us remember the remarkable contributions of trailblazers like Daisy Voisin, whose passion and talent helped shape the vibrant tapestry of Trinidadian culture.
